Wang Huaiqing 王懷慶
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Wang Huaiqing
HouseIn A House-Red Bed (diptych)
2002, mixed media and oil on canvas mounted on board
200 x 240 cm; 200 x 120 cm (each)
王懷慶 《房中房-紅色之床》(雙聯作)
2002 年作,綜合媒材、油畫畫布裱於木板
200 x 240 公分(一組);200 x120 公分(每件)
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At the turn of the millennium, Wang turned away from the use of dark, heavy colors, instead embracing a new application of richly-textured vermilion oil paint to create a powerful sense of visual expansion, The inclusion of classical Chinese furniture pieces in front of and behind the painting gives a three dimensional presence to the work, marking a breakthrough from the two dimension painting tradition from both East and the West. A representative work of the artist's many important exhibitions in China and Taiwan, House In A House-Red Bed (diptych) is a continuation of the artist's successful semi-abstract paintings, with the scale and the significance comparable to another work Feet-2 (diptych), which set a new world auction record for the artist at Sotheby's in Spring 2016.
20、21 世紀之交, 王懷慶以澎湃的歷史感懷打破一貫深邃厚重的色彩語言, 開始運用大膽激昂的紅彩, 創作了一系列極具視覺張力的作品。《房中房-紅色之床》不僅以厚重的油彩肌理賦與畫面質感, 更突破東西方繪畫千載以來的平面常規, 在畫面前、後裝置古典家具部件,使作品具有三維效果。本作曾代表藝術家參與海峽兩岸多次重要展覽, 延續其於 90 年代以半 具象繪畫所創造的藝術成就與國際名聲, 論尺幅之恢宏、內涵之精深, 足以媲美蘇富 2016 年春拍大幅刷新王懷慶拍賣紀錄的《足-2》。
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